Tan Wei (b. 1997, Singapore) is a curator and visual artist whose practice centres on lens-based media and the multifaceted nature of image-making. Working spatially across diverse formats, her practice and research are a continuous inquiry into the constructs of being, translated through the reconstruction of everyday observations. By shaping these observations into a "theatre of the mind," she invites audiences to contemplate the synchronicities—or lack thereof—within the mundane. Through this facilitation, she aims to establish resonant entry points for the public, encouraging a collective contemplation that utilises the shared language of the image to collapse the barriers between strangers.

Foo Hui Wen (b.1997, Singapore) main interest lies in how nature is processed and translated. Her artistic practice delves into the notion of naturalisation and examines how we understand and recognise our surroundings by attributing qualities to the things around us. Her work often seeks visual/conceptual coincidences in nature to investigate how humanistic intentions tend to mutate through zoological instances which can often be found in our use of language, metaphors or even, interactions with our environment. Through this lens, she reflects on the tension between different cognitive frameworks, considering how language, as a dominant system, shapes perception and informs the meanings we construct around us.